Comparing
and Contrasting To Kill a Mocking Bird
and The God of Small Things
In
the first year of the English Teachers Training program, there is a module
called Ethnicity, consisting of the study of texts related to the theme. In
this short essay, I would like to compare and contrast two of the focal texts,
namely: To Kill a Mocking Bird by
Harper Lee, and The God of Small Things
by Arundhati Roy.
Contrasting
the two novels is not difficult. They differ in almost all aspects. The setting
and time of H. Lee’s book is the Deep South of the early twentieth century,
while the action in A. Roy’s book takes place some eighty years later in the
Indian state of Kerala. An interesting point of comparison is that both novels
won prestigious prizes: the Pulitzer and the Booker prize respectively. They
are the authors’ first and only novel to date, and as such, they contain a fair amount of autobiographical elements. The plots differ essentially, although both
are narrated from a child’s point of view.
The
two novels have a very substantial point in common, namely their themes. The predominant
theme of Harper Lee’s book is racial injustice. Similarly, The God of Small Things deals with the injustice of the caste
system. Caste in India is, to a certain degree, based on race. We read in Roy’s
book that Velutha, the Untouchable, is darker in color than his lover of a
higher caste. Caste and race are easily comparable, as in either case people
are not able to choose to which one they belong, nor does any amount of personal
qualification help the ‘low-born’ against society’s harsh and unjust treatment.
“If they hurt Velutha more than they intended to, it was only because any
kinship, any connection between themselves and him, any implication that if
nothing else, at least biologically he was a fellow creature – had been severed
long ago.” In both books the protagonists become the scapegoats of social
prejudice. Although of good character and considerable skill, they pay with
their lives for sexual crimes they haven’t committed. Velutha is blamed for
raping Amu, a woman and a divorcee – two facts that situate her in the lowest
step of the social ladder. Mayella Ewell, on the other hand, can safely be put
in the category of ‘White Trash’. Still, their ‘honor’ is worth more than the
very life of a black man or an Untouchable, who are killed simply on the
suspicion of infringing upon it.
The
secondary themes of both novels are caste/class tension and gender roles. In
presenting these matters the authors differ in their outlook on humanity. While
Harper Lee is able to point out a good quality in almost anyone, A. Roy paints
a picture of humanity in stark colors: almost all of her characters are
subjected to vice – be it dishonesty, maliciousness or a ‘fierce lack of
ambition’.
In
this way, these two novels written on different continents, and describing
societies which externally are hard to compare, expose humanity’s vicious
tendency towards unfair and cruel treatment of the most vulnerable. A landmark
of human civilization is how society treats its weaker and needier members.
"May in Ayemenem is a hot, brooding month. The days are long and humid. The river shrinks and black crows gorge on bright mangoes in still, dustgreen trees. Red bananas ripen. Jackfruits burst. Dissolute bluebottles hum vacuously in the fruity air...The countryside turns an immodest green."
ReplyDeleteDespite the lush colors of tropical India which Ms. Roy describes so vividly, especially in the opening of the book, her outlook on humanity is rather stark. I can well imagine that she is compared to Dickens.